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Thursday, March 3rd, 2011
9

Looking Back at MADtv

MADtv was created by Fax Bahr and Adam Small, two writers from In Living Color, Fox's first sketch show. It's very easy to see MADtv as Fox's follow up to In Living Color. Both shows were directed (at least initially) towards black and Latino audiences, both made extensive use of crude and crass humor, both relied heavily on reoccurring characters and both were critically-derided.

A key difference was that In Living Color had the Wayans family behind it. While the show was frequently inconsistent, it was capable of some great sketches on race in America. That aspect was largely absent from MADtv. Instead the show mostly stuck to two main categories: topical pop culture parodies and wacky characters.

Last week I complained about SNL of the late '90s over-relying on repeated characters and catch phrases, but what they did is nothing compared to the sketch recycling MADtv is guilty of. The show had a seemingly endless supply of goofy characters with signature catch phrases. The most obvious example of this was undoubtedly Stuart, the man-child played by the show's longest serving cast member Michael McDonald.

Pretty much every single Stuart sketch is the same. Stuart and his mom attempt to do some mundane task like buy something, dine out or whatever. Stuart's childish antics drive the employee trying to help him crazy while he spits out his catch phrases ("Look what I can do!", "Let me do it!", "Dooooon't!", and "I don't wanna say!") until finally they give up. It wouldn't be a bad sketch if it had only appeared once or twice, but instead they did 38 of them over the course of 9 seasons. 38! Why on Earth does there need to be 38 of these sketches?

Then of course there were the Ms. Swan sketches, which are more or less the same as the Stuart ones, but with a different over-the-top character at the center of it. Ms. Swan is a short Asian lady that speaks with a funny accent and can never answer even the most basic questions that employees of the stores she visits ask her, causing the employees endless amounts of stress. If that sounds a lot like the Stuart sketches you're not wrong. You could pretty much swap Swan and Stuart into each other's segments and never notice.

These two characters and their repeated appearances on the show really exemplify how incredibly lazy the writing on the show is. Their segments have no plot or even a narrative, they're basically just scenarios you can plop the signature character in to let them parrot their catch phrases for a few minutes. Stuart and Swan aren't the only examples of this either. There was also the Vancome Lady played by Nicole Sullivan, who rudely dismisses customers with her own catchphrases again and again, or Dirty Talker Funky Walker, or said outrageously "dirty" pick up lines.

Overall the show just seems so lazy and unambitious. The jokes are always the most obvious and easiest ones to do. The whole premise of last week's 30 Rock begins with Liz bringing in a guess female writer because the staff only writes dumb sketches about women being unreliable when they're on their period (Amirite guys?). It should come as no surprise that MADtv actually did one of those sketches. Maybe making menstruation jokes about a movie called Crimson Tide was just too easy for the folks at MADtv to pass up, but that's kind of my point. They seem to always go for the lowest hanging comedy fruit.

Sketches like that one, a pop culture parody, was the only other kind of sketch the show did. These basically consist of recreating the source material, but adding in more sex or violence. Like The X-Files? Well then you'll love "The XXX Files"! Like High School Musical? Well, then you'll love it when they dress up like Zac Efron and sing about being sexually molested!

Considering on lazy the show is I'm surprised it didn't do more political humor. When you've got a brand new hour to put together every week, and you're not interested in trying very hard it's pretty easy to do a quick sketch riffing on the latest political scandal, especially in election years when there's new gossip and rumors almost every day. This is something SNL figured out long ago. For whatever reason though the political humor on the show is limited to a few bits of Will Sasso or Frank Caliendo acting dumb as either Clinton or Bush. That's not to say every sketch show needs to be overtly political, but it could have provided a way for there to be less than 25 sketches of the Vancome Lady covering her ears and shouting, "na na na na."

Look, I realize there are people out there that like MADtv, it lasted 14 seasons after all, I'm just not one of them. Again and again the show just seemed to insult my intelligence, as if it was afraid I wouldn't get a joke if I didn't see it 38 times. Unfortunately, you'll never go broke appealing to the lowest common denominator, so shows like this one will always be around.

Carleton Atwater lives in Boston. He also writes about beer at Beeriety.com.

  • roevswadeboggs

    Discussion is not complete without mentioning That's My White Momma. A perfect example of being broad and sharp at the same time.

    I will contend that the very first season of this show featured an incredibly talented cast of people (David Herman, Bryan Callen, Artie Lange, etc.), and while the humor was still way too big, it was always worth watching in the half hour before the start of SNL.

    • http://www.facebook.com/people/Jason-Nafziger/1625377858 Jason Nafziger

      I agree that the first season was superior to the rest of the show, if only a little bit. It did give us "Gump Fiction," which, while easy, needed to be made.

      Gump Fiction: http://www.youtube.com/watch?v=dymb0SvHCnY

  • Chuñdy

    This article could have been so much better. Instead of picking on the low hanging fruit of sketch shows, it might have attempted to argue about something people actually disagree on.

    For your next article maybe you can tell us all why Wild Hogs was actually NOT a funny movie.

    • http://www.facebook.com/people/Jon-Bershad/8829871 Jon Bershad

      If you go through the writer's other articles, you'll see they only got to the "low hanging fruit" that is Mad TV after the rest of the tree had been pretty well picked apart.

  • http://www.twitter.com/becca_oneal Rebecca O'Neal

    Here's the thing: I watched Madtv as a reeeeallly young kid. I started when I was maybe 8 or 9 years old and kept with it until maybe sophomore year of high school. AND I LOVED IT! I really haven't revisited the show since, but I'm 100% sure it shaped a large part of my sense of humor and love for comedy.

    Sure, a lot of the characters may have been broad, but I had absolutely no sense of that as a child. I remember howling at a sketch called "The Land That I Love" and sharing it, repeating it, and even acting out my own version of it with my friends. Whatever fault people seem to find with MADtv, the show is absolved in my eyes.

    MADtv, Comic View, All That – Nickelodeon's Sketch show for kids… they're shows I probably wouldn't watch NOW, because my tastes have evolved, but they're also shows (with the help of my parents' old comedy albums) that made me fall in love with comedy.

    At the same time I was watch SNL and acting those sketches out too – but maybe I don't have enough unsentimental distance to see the other shows I loved blasted.

    And if you take a look at the writers of the show, you'll see that it produced tons of people no "comedy nerd" would turn their nose up at now: PATTON OSWALT, Dino Stamatopolous (Starburns), Kate Dippold (writes for Parks & Rec), David Wain, Emily Spivey (SNL), and that's just from me eyeballing the list of writers.

    Not an attack – I liked the article. Just a different perspective.

  • http://www.twitter.com/pablogold Pablo Goldstein

    There were some pretty decent actors to come out of Mad TV though. I'm glad Will Sasso finds steady work on sitcoms, but I thought he was going to be a star when he left (around the same time Will Ferrell left SNL). Other notables: Phil Lamarr, Nicole Sulivan (who plays Sasso's wife on Shit My Dad Says), Alex Bornstein, and Andrew Daly.

    I'm with the above comment. Yeah Mad TV was pretty juvenile and not that funny, but who was it's target audience? I have lots of memories of watching it when I was in elementary school before switching to SNL at 11:30.

  • grovberg

    Yep, I'm with Rebecca and Pablo. There's a saying that SNL sucks except for whenever it was on while you were in high school. I actually didn't watch a whole lot of MADtv, but I suspect the same holds for MADtv in that if you didn't watch it at the right time, it probably sucks to you.

    It certainly has it's lazy moments (so does SNL), but there are moments of brilliance too. They did a Star Trek variety show that still makes me laugh when I think about it. And Nicole Sullivan did a lot of genuinely funny sketches I've caught from time to time.

  • Shannon

    Wow, that's the most simplistic and unjust review about a TV show EVER. It's like you didn't watch it at all, but only browsed through youtube clips.

    The show had plenty of memorable and hilarious characters and sketches. One of the best aspects were the repeated characters and catch phrases. It's obvious you're just against recurring characters and sketches in general and not about the impact they have on the popularity and quality of the program.

  • http://twitter.com/barbituratecat Avy

    Gotta agree with most of the other commenters here – I was in love with MadTV. Yeah, there were some over-done skits, and watching re-runs now kind of makes me cringe, but as a 14 year old this was probably the funniest show on the late-night circuit. You might have hated the Stewart sketches, but I can guarantee you every pre-teen in the country was doing Stewart impersonations for their friends the day after each episode aired. [I might be biased, though, since my older brother is a dead ringer for Michael McDonald.]

    MadTV had a time and a place, and you probably missed it. A lot of it hasn't aged well, is too topical or generation-specific, but the overall gross-out humour probably still appeals to the younger crowd who think Marvin Tikvah's fat suit and body hair are hysterical.