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All Dogs Go on Tour, Part 2: Everything Is Terrible in Middle America
Part two of Everything is Terrible's tour journal: where we travel from Minneapolis to Wichita, weird out middle America, steal bedrooms from children, ain't afraid of no ghosts, and keep moving.
California is home for half of us, and sitting on this familiar couch while sipping an IPA with my feet up makes me feel normal. This is me writing about two weeks ago, but it feels as if I’m writing about the ancient past. We are in the west coast now. We’ve driven through snow and mountains and deserts and though the country has been crossed, we’ve only just begun. We’re less than a third of the way through. Where did I leave off?
Minneapolis had a theater from 1949 waiting for us with Everything is Terrible bright across the marquee. The room was huge and though 80 people came to the show, it felt sparse and open. The theatre owner seemed unsure of us, and what was to come as is the case with lots of these theaters. Sometimes folks that are accustomed to showing Hollywood movies find it odd that people want to perform for the audience on top of screening a feature. The crew sometimes gets scared of the fog machine and lights and keyboard and amp and most intensely they fear what might be asked of them. These are projectionists after all, not sound guys. I like to think we win most of these folks over in the end and either way, we are truly privileged to perform in historic beautiful theaters across the country. READ MORE
The Ex-Pat Revolutionaries of Estonia
An American, Australian and an Estonian walk into a bar...
This may sound like the lead-in to a joke about general stereotypes, but it is actually how one might describe Comedy Estonia if one wanted to slightly mislead the reader into thinking one was about to tell a joke about general stereotypes. If we’re splitting hairs here, my clever little lead should have included a total of two Americans entering said bar — but I thought that might muddle the joke. Still with me?
The key players in this set up are Australian Louis Zezeran, Americans Eric Seufert and Stewart Johnson, and Estonian Andrei Tuch. The implicated bar is Club Prive in the Estonian capital of Tallinn, or a bar in the city of Tartu or elsewhere. The activity, as their company’s name might have already implicated to you, is comedy. It is at Club Prive, located in a rather hip part of Old Town Tallinn near some embassies and the American Business Center, that Comedy Estonia hosts a monthly show aptly called “Stand Up Comedy at Club Privè.” READ MORE
30 Rock's New Controversial Sentimentality
As a recapper of 30 Rock, I try to read what people are saying about the show, as to avoid being another echo in the Internet’s chamber. From what I gather, this is definitely the worst season in the history of the show, in which the lead has turned from a brilliantly flawed superheroine into a dimwitted, hapless wastebucket OR the show is on a hot streak of great, hilarious episodes like it hasn’t felt since it’s second season. How can a show that had previously garnered critical consensus — the first three seasons were super great, the fourth not so much but still pretty solid, the fifth was an uneven return to form — now rip a nation in half (and by nation I mean the very small number of people who don’t watch American Idol or Big Bang Theory)? There are two camps and the difference between them comes down to how each has responded to the show’s new investment into its sentiment.
30 Rock was unassailable in its first three seasons, under the Larry Davidian “No hugging, no learning” comedic philosophy. The zingers and sight gags ruled and all emotion was happily sacrificed. However, as the show continued it started to drag — it’s consistent pace and rhythm grew to feel repetitive. Subsequently, season four and five involved a lot of figuring out how to insert legitimate character motivations into the joke rapid-fire. Sometimes it worked (the introduction of Paul has brought new life to the Jenna character), sometimes it didn’t (Julianne Moore’s Nancy never really made sense), but overall it changed the tone of the show. By season six, 30 Rock, besides making you laugh, wants you to care about what happens to these characters, a little. READ MORE
The Boozehounds Take on the Brits: Cheers vs. Monty Python
The Best Sitcom Episode Ever Tournament is pitting 32 of the greatest episodes of funny TV shows ever produced against each other in a single-elimination winner-takes-all (well, takes-nothing) competition. Every day, we're putting up episodes for you, our loyal readers, to vote on. Today: Cheers vs. Fawlty Towers.
Cheers — “Pick a Con...Any Con” (1983)
This classic Cheers episode, from the inaugural season of the single-setting sitcom, sees the Cheers gang hiring con man Harry the Hat (played by a pre-Night Court Harry Anderson) to win Coach’s money back from a card hustler. It’s a sharp episode that features a fairly elaborate plot for an 80’s sitcom and great moments from everyone in the show’s original ensemble (complete with Diane and Coach). Even though "Pick a Con" was produced early in Cheers' run, the characters are fully defined and comically potent, as evidenced by memorable bits like mailman Cliff Clavin attempting to gamble with commemorative stamps when he's run out of money and Diane trying her hand at bartending for the first time, only to be baffled by the process of making a Bloody Mary. The storyline is full of twists and turns, defying predictability by pulling off the kind of surprises that few other TV comedies are capable of delivering, even now. — Bradford Evans READ MORE
Why Bridesmaids Deserved Its Best Picture Snub
Unpopular Opinions is a new weekly column in which a writer takes a stand against popular opinion, whether it's asserting the true merit of a supposedly guilty pleasure or dissenting against the universally lauded.
The inescapable hum of buzz that has surrounded Bridesmaids since the film's release peaked at the end of January, just in time for its exclusion from the Best Picture race to generate outrage in critical circles. The Atlantic decried the snub as evidence that the Academy hates broad, raunchy comedies, while director Paul Feig was quoted in the Huffington Post saying that the film was too “relatable,” a dig at the kind of artsy fare that normally garners Oscar acclaim.
The one thing that none of the film's defenders actually did, however, was take a critical look at Bridesmaids. If they had, they might have spotted the fatal flaw lurking at its core. For a movie written by women, with a cast made up of some of the funniest females on the planet, its core female characters are offensively reductive stereotypes: a rich bitch, a reactive adolescent, and the world's most passive bride. READ MORE
Saturday Night's Children: Robert Downey Jr. (1985-1986)
Saturday Night Live has been home to over a hundred cast members throughout the past 36 years. In our column Saturday Night’s Children, we present the history, talent, and best sketches of one SNL cast member each week for your viewing, learning, and laughing pleasure.
While live television was an unfamiliar gig for Robert Downey Jr. when he joined the cast of SNL in 1985 alongside movie stars like Randy Quaid and Anthony Michael Hall, his experience performing extended back to 1970 both backstage and on-screen, starting with his role as a puppy in his underground filmmaker father's debut film Pound at age five. He may not have survived through the following season, but Downey has since gone onto mega-stardom, and his year on SNL has been all but forgotten in the process, overshadowed by his drug and legal problems in the 1990s as well as his current action superstar status via the Iron Man and Sherlock Holmes franchises. READ MORE
The Highlights of the Beatles' Solo Comedy Careers
Usually the most famous people in the world do not have a very good sense of humor about themselves, or a capacity for self-effacement. Angelina Jolie and Bob Dylan, for example, look to be joyless chores of boring and seriousness. Fortunately the Beatles, the biggest celebrities who have ever dared to walk amongst us and change the weather with their moods, were perhaps too famous to ever not be completely weirded out by fame, and thus had a pretty witty attitude about the whole thing. What I’m saying is that unlike Jolie or Dylan, John, Paul, George, and Ringo, have been consistently funny and game over the years. (I’m not counting the innately funny Beatles projects like A Hard Day’s Night or Help! — strictly solo stuff here.) READ MORE
The Adventures of The Adventures of Pete & Pete
“Teen-agers, bohos, camp culturati, photographers – they have won by default, because, after all, they do create styles.” — Tom Wolfe
One of the blazing revelations I’ve had over the last few whirligig weeks of reading about, seeking out and conversing with the progenitors of our favorite old Nickelodeon shows is that, for the most part, this was a bunch of ragtag art kids in their twenties and thirties who — in lieu of heading to the West Coast to fuse a punk-rock ethos to mainstream accessibility in music — brought the “alternative” sensibility to an even more unlikely place than the radio: shows for kids (and, when they really nailed it, shows for each other).
They worked together, played together, traveled similar circles and many of them have maintained their friendships twenty years later.
The Adventures of Pete & Pete remains a gleaming paragon of this DIY/indie/punk-integrated-into-children’s-programming mentality. READ MORE
Announcing the Closing of A Part Thai’d Restaurant, by Spencer Ham
Effective June 4, A Part Thai’d Restaurant has closed its doors for good. We would like to thank our small contingent of customers, as it was an absolute pleasure to serve you our Thai/American fusion cuisine over the last five weeks. We regret this decision, but the bad press and unrelenting protests were just too much to endure.
To those that fiercely protested against us, we have addressed some of your wild accusations:
“You’re an abominable restaurant that advocates racism.”
YIKES! This is absolutely 100% NOT true. For the record: we DO NOT support segregating race, just like we do not support segregating flavors. You would know this if you tried our succulent Panang Burger or our transcendent Nacho Cheese Pot Stickers.
We didn’t even know apartheid was a thing before this whole big misunderstanding. After reading up on it, we can confidently say that we’d love to serve Nelson Mandela. The only prison we would put him in would be his own body because he’d get morbidly obese after eating so much of our delicious food! READ MORE
SNL Recap: Maya Rudolph and the Magic of Breaking
For those who perform live comedy, there are few more dangerous games than breaking. Breaking is a term actors use to describe that moment when they laugh inappropriately while playing a scene, or “break character.” In acting classes, breaking is strictly forbidden, while in improv classes, it’s highly discouraged. One improv director made my whole team do pushups and run laps in the rain when someone broke. Our improv didn’t get any better, but we could have literally kicked your improv team’s ass.
Audiences have mixed reactions to breaking. In general, the more committed the performers are, the greater our tolerance for breaking. We enjoy Bill Hader cracking up while playing Stefon because we see his struggle to regain his composure. Also, chances are we cracked up long before Hader did. On the other hand, breaking can also be a signal to the audience that the performers are unconfident and “not worthy” of the stage. Jimmy Fallon attracted a lot of hate when he was an SNL cast member for being unable to keep a straight face, even before a sketch really got off the ground. And then there are those nauseating moments when performers break on purpose. Every production of Hairspray I’ve seen features a moment in the second act when one actor supposedly adlibs a line to another, who then “loses it.” The house always goes wild, but when you realize the moment is premeditated, it feels wrong. Almost as wrong as having seen Hairspray more than once.
Last weekend’s episode, hosted by Maya Rudolph (with plenty of cameos by Amy Poehler and Justin Timberlake), featured an unusual amount of breaking by the performers, which I attributed to Rudolph’s former cast member status. When Jimmy Fallon hosted in December, I made the case that the show should consider having only former cast members as hosts, arguing that their familiarity with the actors, writers, and the overall process would result in more consistently entertaining episodes. I forgot to mention that when one cast member returns to the show, it turns into a big “SNL family reunion.” And when a group of performers are having fun with each other, they’re inevitably going to make each other laugh. READ MORE






SNL Recap: Maya Rudolph and the Magic of Breaking
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