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April 17th, 2014

Today's Funniest Tweets

The Walsh Brothers' Comedy Central Web Series Returns


Last year, Comedy Central premiered The Walsh Bros. Great and Secret Comedy Show, a web series from the LA-based sibling comedy duo of the same name, and here's the premiere of the show's second season, which, so far, involves them ruining waaayy more childrens' birthday parties.

Fox's Saturday Night ADHD Lineup to End in June

Fox's attempt at an Adult Swim-esque block of weird cartoon programming has met an unfortunate end. EW reports that the Saturday animation lineup ADHD (Animation Domination High-Def) is getting dumped by the network after drawing less-than-stellar ratings and a bunch of viewer complaints by Fox affiliates due to the lineup's "risque content." ADHD — which includes series Axe Cop, High School USA!, and Lucas Bros. Moving Co. — will continue to exist online and will be used to develop potential shows to air on Fox, but it will no longer air every Saturday night after its final broadcast on June 28.

"There’s a change.org petition going around that is asking for Comedy Central to give me my own spot after The Daily Show! People keep bringing it up to me and it’s like, a strange thing to ignore (for the sole purpose of being politically correct). SO I want to like, take a moment and say thank you to those that created it and signed it … That being said, I’m sure Comedy Central already has something dope in the works to take that particular spot … I’m sure it will be great and funny and wonderful! I can’t wait to see what it is … Also know that right now I am in the middle of creating and working on some VERY dope things. Not necessarily the exact way that you lovelies have envisioned it, maybe something, dare I say it- ESPECIALLY & MAGNIFICENTLY DOPER. Y’all shall see soon, ya hear?!"

- Daily Show correspondent Jessica Williams reacting on her Tumblr to a Change.org petition to give her Stephen Colbert's soon-to-be-vacated 11:30 slot on Comedy Central. 

Watch a Trailer for Brett Gelman's New Adult Swim Special


Last week, Adult Swim announced that they're premiering a new special called Dinner with Friends with Brett Gelman and Friends that Brett Gelman and Jason Woliner (Eagleheart) made together, and here's a teaser trailer for the special. It's a Dinner for Five-esque conversation show (featuring guests Dale Dickey, Gilbert Gottfried, Fred Melamed, Alison Pill, Lance Reddick, and Alex Karpovsky) that takes a frightening turn and devolves into Gelman psychologically torturing his guests.

Spike TV to Air a Tribute to Don Rickles, Featuring Letterman, Seinfeld, Jon Stewart, and More

Spike TV announced today that they're making a big star-studded tribute special to Don Rickles that will air on the cable network next month. Called One Night Only: An All-Star Comedy Tribute to Don Rickles, the 90-minute special will be shot at NYC's Apollo Theater on May 6th and air on Spike on Wednesday, May 29th, at 9pm. David Letterman, Jerry Seinfeld, Jon Stewart, Robert De Niro, Martin Scorsese, Tracy Morgan, Jimmy Kimmel, John Stamos, Bob Newhart, Regis Philbin, Ray Romano, and Brad Garrett are all set to perform and pay tribute to Rickles at the event, with not a single female on the bill for some reason. Spike TV previously gave Eddie Murphy a big tribute show, also called One Night Only, in 2012.

This Week in Comedy Podcasts: Amy Schumer Visits 'The Joe Rogan Experience'

The comedy podcast universe is ever expanding, not unlike the universe universe. We're here to make it a bit smaller, a bit more manageable. There are a lot of great shows and each has a lot of great episodes, so we want to highlight the exceptional, the noteworthy. Each week our crack team of podcast enthusiasts and specialists and especially enthusiastic people will pick their favorites. Also, we'll keep you posted on the offerings from our very own podcast network. We hope to have your ears permanently plugged with the best in aural comedy.

The Joe Rogan Experience – Amy Schumer

LEIGH: Joe Rogan couldn't have been more accurate in this episode when he said that now is a nice time to be a comedy fan. And listening to Amy Schumer on this episode of The Joe Rogan Experience is proof of why. Rogan and Schumer cover the important things on everyone's mind like ballerinas, piranhas, rap battles and Eddie Izzard's marathon running. But it was only a matter of time before "Is it hard to be a woman in comedy?" came up. This time, however, we hear about it from a different angle – in response to Jerry Seinfeld's response to criticism over the lack of diversity in his web series Comedians in Cars Getting Coffee. It's hard to ignore the fact that the conversation gets tense at points, but that tension only works to make this episode that much more entertaining. READ MORE

White House Press Secretary Says Jon Stewart Was Obama's Toughest Interview in 2012

Barack Obama's press secretary Jay Carney told students at Georgetown that Jon Stewart was actually the president's "most substantive, challenging interview" in 2012, instead of, you know, any interviews with real journalists. Here's what Carney said (via The Wrap):

I remember we had some discussion during 2012 about 'Well, is it appropriate for the president, the sitting president and candidate, to give interviews with Jon Stewart and others?' And the answer was yes, again, because young voters we were trying to reach are more likely to watch The Daily Show than some other news shows.

But also, I think if you look back at 2012 and the series of interviews the sitting president of the United States gave, probably the toughest interview he had was with Jon Stewart. Probably the most substantive, challenging interview Barack Obama had in the election year was with the anchor of The Daily Show.”

Check out Jon Stewart's 2012 Obama interview below: READ MORE

Watch Paul Scheer, Nick Kroll, and More Do a Live Read of the 'Space Jam' Script


Sean O'Connor and Jensen Karp held a live reading of the script to the 1996 Michael Jordan/Looney Tunes movie Space Jam at LA's UCB Theatre last month, and here's a highlight reel from it. The cast for the reading was Paul Scheer, Nick Kroll, Seth Green, Ben Schwartz, Danielle Fishel, Ralph Garman, Shelby Fero, Brandon Johnson, Jerrod Carmichael, Melissa Stetton, and Blake Griffin as Michael Jordan, all of whom would be perfect to play the same parts in a Space Jam remake.

The Comedy Sequel and Reboot Tolerability Scale

It seems like there's an announcement about a new sequel or remake every day, with pretty much every successful movie you can think of at one point being developed as a potential franchise. In just the past two weeks alone, news about sequels to Mrs. Doubtfire and Goonies and reboots of Police Academy and Gremlins has hit the internet. With comedy, sequels and reboots are especially tricky, and you can count the number of good ones on one hand, but that doesn't stop studios from buying them in bulk.

Since updates about sequels and reboots to beloved (and non-beloved) comedies trickling in nonstop, it can be hard to keep track of all of them. We gathered them all up for our Comedy Sequel and Reboot Tolerability Scale, ranking everything in the categorizes Good Ideas, Sure Why Not?, If You Must, Don't Do That, and Nightmares: READ MORE

Jessica Williams Takes Jason Jones Behind the Scenes of Her "Black Friday Profiling" Segment

Veteran Daily Show correspondent Jason Jones is hosting a new web series "Behind the Spotlight" while the show's on break this week, and above is his interview with Jessica Williams, where they explore her role as the show's token tall correspondent and go over her very expensive segment "Black Friday Profiling," which took way more behind-the-scenes work than you'd think.

'Conan' Prop Master Bill Tull Offers Some Money-Saving Easter Tips

We're still in a tough economy for many families to afford all the trappings of Easter, but Conan's no-nonsense prop master Bill Tull is here to save the day with more frugal tips so you can enjoy the Lord's resurrection without breaking the bank.

Does FX's 'Fargo' Keep the Original's Darkness While Losing the Comedy?

Many words have been written this week about Tuesday’s premiere of the FX eponymous miniseries adaptation of Fargo, particularly in regards to its faithfulness to the classic and nearly universally adored Coen Brothers original. Critics seem to agree that the show, with the Coen Brothers blessing represented in the form of an Executive Producer credit, is faithful in setting and in certain character similarities to the film, but it is mostly not attempting to be an adaptation at all. Rather, it is its own set of stories that take place in the same snow-covered, “you betcha” oeuvre and the various criminals — hapless to exacting — that inhabit and pass through. I should say from the jump that I quite enjoyed the pilot episode, which flashed tremendous story and character potential to be fleshed out as the world builds and expands over its ten hour run. However, judging from the pilot, it seems the show will fall more into the realm of dark male violence that has defined prestige television for the last decade rather than the misanthropic dark comedy typical of my favorite Coen films. In other words, Fargo the series may have kept the dark and lost the comedy.

Just looking at the opening shots of the two projects, there are strong indicators of the mood the creators are trying to set. Both shots begin with titles on screen, the frame covered in the white Minnesota winter. In the distance, a beat up car drives towards the frame, and that is where the similarities end. In the film, as the car gets closer we see it drive through the frame towing another car behind it, an actively unusual scene. We later learn that the driver of that car is William H. Macy’s Jerry Lundegaard, the hapless sleaze whose choice to have his wife kidnapped in an effort to collect the ransom sets the films plot in motion. In the show, the car belongs to Billy Bob Thornton's Lorne Malvo who drives through the night, hits a deer, swerves off the road, and lets loose a man in his underwear who was held captive in his trunk. In leading with Malvo, who through the pilot is the shows most ruthless and capable character, a darker, more precise tone is set. Malvo is a confident killer in the vein of the No Country for Old Men’s Anton Chigurh.

The difference in these two opening shots is important in an overall stylistic choice by the creators of the TV project that shifts the tone further away from comedy. Perhaps symptomatic of a large TV budget or even just advances in technology, FX’s Fargo simply looks much better, cleaner, and crisper than its source material. The deeper blacks and more shadowy lighting set ups, variations in depth of field, work to give the show a heavier, more serious look. It is a look we can associate with murder stories. What works so well in the film is that the darkness in the characters and plot is juxtaposed against all the homey midwestern effect of the production design. Macy’s tacky office, his suit that is practically eating him alive, the cars he sells, the way the whole thing is very flatly lit, all have a light, somewhat dirty, drab quality to them that gives the film and very particular quirk. READ MORE

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Watch Seth Rogen and Zac Efron Vibe It Out with the 'Workaholics' Guys

Here's a new clip from Workaholics, in which Seth Rogen and Zac Efron interview to become the guys' new cubicle neighbor (to promote their movie Neighbors because synergy). Rogen gets a little annoyed after Efron spends the whole interview sucking up, and unsurprisingly the winner gets chosen solely for their finest masculine physical attribute.