‘BoJack Horseman,’ ‘Inside Out,’ and the Beauty of Difficult Emotions

‘Trainwreck’ Is (Sometimes) Great and (Almost) Lives Up to High Expectations

In Season Five, ‘Key & Peele’ Pumps the Brakes

‘Catastrophe’ Is the RomCom We’ve Been Waiting For

Comedy Is Life and Life Is Comedy in Judd Apatow’s ‘Sick in the Head’

‘Another Period’ Tackles Too Much at Once

The Problem with Aziz Ansari Writing a Book About Something He’s Never Done

‘iZombie’s First Season is a Midseason Triumph

It’s Time to Let ‘Community’ Go

‘Silicon Valley’ is Almost Too Much Like the Real Silicon Valley — Almost

‘SNL’ Review: Louis C.K. Gets Ballsy for the Season 40 Finale

Grace, Frankie, and the Difference Between Hijinks and Jokes

‘SNL’ Review: Mother’s Day with Reese Witherspoon

Amy Schumer’s Body, Our Selves

How ‘The Nightly Show’ Found Its Voice in Its Baltimore Coverage

‘SNL’ Review: Pulling Punches with Scarlett Johansson

He’s Not the Last Man on Earth Anymore and the Show Needs to Act Like It

‘Veep’ Isn’t About the First Female President (Thank God)

‘SNL’ Review: Taraji P. Henson Almost Saves the Day

‘SNL’ Review: Happy Easter, Michael Keaton!