The Jack Plotnick-directed Space Station 76 takes place in a 1970s vision of the future. You might ask what exactly that means, but it’s a fairly straightforward description: imagine the 1970s. Now imagine them in space. That’s what Space Station 76 looks like, with beautifully cold space station sets, throwback '70s costuming, and robots resembling R2D2. The second most-discussed film at South by Southwest, it’s flown relatively under-the-radar since, but as it comes out on VOD, DVD, and digital download next week, this quietly funny movie is worth your attention.
It’s tempting to view Space Station 76 as a straight sci-fi parody, an homage to the likes of Space:1999. [...]
Nerding out on comedy just got a lot easier with Mike Sacks’ new Poking a Dead Frog: Conversations with Today’s Top Comedy Writers. In his follow up to 2009’s excellent And Here’s the Kicker, Sacks has compiled an impressively diverse list of writers working within the humor genre, from both sitcom and feature writers to directors to cartoonists to radio writers, like The Best Show on WFMU’s Tom Sharpling and 97-year-old Peg Lynch, writer of the 1940s Ethel and Albert. Whether you’re a comedian or a fan, there’s something here to interest you and that’s no doubt by design. The table of contents alone is intimidatingly long in the best possible way. [...]
Seasons one and two of Armando Iannucci’s political satire Veep depicted the vice presidency as whimsically inconsequential: a politician and her extremely driven staff stuck wasting their intelligence and penchant for insults on carefully-calculated interactions with the press and “normals” while the actually important POTUS eluded all his underling’s phone calls. A change seemed imminent, though, at the end of season two when the president announced he would not be running for re-election. This news set the stage for an excellent third season in which VP Selina Meyer and her cohorts left the comfort of the Eisenhower Executive Office Building, home for the past two years to some [...]
SNL transforms when a former cast member returns to host. The regular format is stretched to make room for a massive SNL reunion, with classic bits and endless cameos by other past stars of the show. Usually this homecoming makes for an exciting night of television, with Lorne Michaels trotting out one of his prized horses to remind us of the joy this show has brought us over the years.
In this case, it reminded us how atypical of a cast member Andy Samberg was. His monologue joke that he appeared in "100 digital shorts and six live sketches" had a ring of truth: unlike all-star alums Will Ferrell [...]
When I started reviewing SNL three years ago, I was proud to consider myself a defender of the show. Of course, not that the mainstream pop culture institution needed any defending. My frustration was with the show's cynical viewers — online critics, comedy nerds, pretty much everyone in my hometown — who had jumped on the hip bandwagon of dismissing SNL as "not as funny as it used to be." It didn't matter to them that the show is broadcasted live, with each episode written and produced in less than six days. Even if SNL managed to pull off a handful of good sketches week after week, that wasn't good [...]