Season 1 of ‘I’m Dying Up Here’ Favors Fiction Over History

Why 2017 Is the Perfect Time for the Brutal Honesty of Jim Jefferies

Netflix’s ‘GLOW’ Is an Ensemble Comedy Triumph

Season 42 of ‘Saturday Night Live’ Was Entertaining But Ultimately Fell Short

The Gig Economy in ‘Unbreakable Kimmy Schmidt’

Dwayne Johnson Ends the 42nd Season of ‘SNL’ on a Very High Note

How ‘Speechless’ Perfectly Balances Authenticity and Humor

I Loved ‘I Love Dick’

Melissa McCarthy Joins the ‘SNL’ Five-Timers Club

‘The Mick,’ ‘It’s Always Sunny,’ and the Magic of Kaitlin Olson

‘Career Suicide’ Is a Master Class in Storytelling

Chris Pine Dances His Way Through a Solid ‘SNL’

Why Moshe Kasher’s ‘Problematic’ Is the Political Comedy Show We Need Right Now

How ‘Brockmire’ Adeptly Combines Whimsy and Darkness

The New Season of ‘MST3K’ Stays True to Its Roots

Why ‘Family Guy’ Is Slowly Getting Its Groove Back

Jimmy Fallon Returns to ‘SNL’ (with a Rachel Dratch Cameo!)

Louis C.K. Hosts a Slightly Dark, Very Artful ‘SNL’

A Closer Look at Amazon’s New Comedy Pilots

Scarlett Johansson Returned to ‘SNL’ For the Fifth Time to Host a Solid Episode