"Held next to Girls, 2 Broke Girls is a garish, loud Kabuki performance, something so discordant and ugly and dreadfully unfunny that, in its Brooklyn youth-y context, it seems like some kind of Bushwick anti-art performance piece. 'It's supposed to be hideous,' I can almost hear some character on Girls saying while nodding his head and watching the 2 Broke Girls cast flail around some Bushwick warehouse. 'It's like Brecht or something,' says his friend." — Richard Lawson watched the hour-long (oof) season finale of 2 Broke Girls so you don't have to.

Say what you will about CBS’s sitcom 2 Broke Girls, a lot of people out there love and adore the thing. It just won the People’s Choice Award for Best New TV Comedy, which, say what you will about that too, is better than getting cancelled mid-season.
I admit that after watching the pilot I convinced myself this was yet another out of touch TV-land version of what real life as a struggling waitress is like, but I still set a series recording and have watched every episode since. The ADD-era laugh track had my thumb hovering over the delete key more than a few times, and the [...]

Emily Nussbaum's New Yorker review of Whitney and 2 Broke Girls is pretty spot-on. She goes beyond the usual Sarah Silverman-Chelsea Handler comparisons and notes that the Whitney of Whitney has a lot in common with Lucille Ball:
Cummings has none of Ball’s shining charisma or her buzz of anarchy. Yet she does share Lucy’s rictus grin, her toddler-like foot-stamping tantrums, and especially her Hobbesian view of heterosexual relationships as a combat zone of pranks, bets, and manipulation from below. “This is war,” Whitney announces, before declaring yet another crazy scheme to undercut her boyfriend, and it might as well be the series’ catchphrase.
The article also considers [...]