Using Shock and Violence for Comedy’s Sake in ‘Wild Tales’

How ‘Parks and Rec’ Transcended its Mockumentary Roots

Looking at the Comedy-ish Movies That Premiered at Sundance This Year

How Chris Rock Made the Personal Impersonal in ‘Top Five’

The Best Comedy Directors of 2014

‘High Maintenance’ and the Art of the Audience Surrogate

How Adam McKay Directs at the Top of His Intelligence

The Subtle Brilliance of Jill Soloway’s ‘Transparent’

What Does it Mean to Direct an Adam Sandler Movie?

Is ‘Modern Family’ Really the Best-Directed Comedy on TV?