Sundance 2015, the unofficial film industry new year marker, has come and gone, leaving in its wake as usual a pile of must-see titles, underappreciated gems, and new talent. The quintessential “modern Sundance film” is a quirky indie comedy compiled from equal parts long, twee title, popular star doing something different, light laughs, and moments of dramatic resonance. Think Little Miss Sunshine or The Way Way Back. This is partially due to what historically sells big at Sundance, and partially due to the way films are presented up there in the mountains. Sundance audiences are very generous and love communal film watching experiences, they love to laugh or cry or [...]
With the release of three new episodes last week, High Maintenance went from the one web series you need to be watching to the one web series you still need to be watching. Long-trumpeted by critics of both traditional and new media as the pinnacle of what creators are accomplishing online, High Maintenance returned with three new episodes fully-financed by Vimeo and released under their new original content outfit, Vimeo On Demand.
And what they released was more of the same: character-driven, New York-quirky, sad/funny, length-agnostic short films drawn together by their cross-river view of Manhattan and “The Guy”, co-creator Ben Sinclair’s drug dealing vagabond who waltzes in and out [...]
The Adam Sandler assembly line began production in 1995 with Billy Madison and has since churned out over 20 films under the Happy Madison Productions outfit starring Sandler in his well-versed comic persona of the well-meaning, flawed, likable schlub. Sandler’s brand is a veritable cottage industry, almost operating like a mini-studio, attaching him and his team of writers and producers to his projects and the smaller projects of his friends. Yet, despite the films orbiting around Sandler and having massive control over their image and tone, Sandler himself has never had a director credit on his own project or any other for that matter. That distinction has been credited to [...]
Popularized by The Office in the early 2000s, the “mockumentary” format has become the common TV style choice to tell loose, location-based, low-concept, character-driven comedies. However, aside from the interview cutaways and the cheeky Jim Halpert camera looks, shows like The Office and Parks and Recreation never truly embrace the idea that their presentation format is documentary or that their characters are anything but fictional.
Nathan For You, created, written, and directed by Nathan Fielder and now in its second season, is much more dedicated to being a true parody of the documentary/reality form both visually and thematically. Set up like a workplace improvement show in the vein [...]
Many of those with whom I interact on the internet have sent me this fantastic video essay by Tony Zhou in which he eviscerates the experience of watching many popular and successful American comedies for their lack of visual inventiveness. He then goes on to perfectly show why Edgar Wright (dir. Shaun of the Dead, Hot Fuzz, World’s End, Scott Pilgrim vs. The World) is an exemplar of comedy direction due to his focus on actually framing exciting, active, and funny frames.
Zhou goes on to break down the tenets of Edgar Wright’s frame that to him, allow for increased visual comedy. Those are: 1) Entering the frame in [...]