
It's the one-year anniversary of "Lost Roles," the column where we take a different comedian, comedy writer, or comedic performer each week and dive deep into the movie and TV projects they almost became involved with but didn't. This column began with "The Lost Roles of Bill Murray."Even though that piece detailed over 25 roles Murray almost played, there were still enough left to easily fill another post.
As you may know, Bill Murray's never been keen to the fakeness of the movie industry, so much so that he fired his agent and manager years ago and only takes offers via a voicemail system that's hooked up to [...]

Lost Roles is a weekly column exploring what might have been in TV and film comedy, taking a different comedian, writer, or work each week and examining the casting possibilities and career moves that almost came to be.
The late 80's were a stagnant era in comedy. Besides Letterman and SNL's Hartman-Carvey resurgence, there wasn't a whole lot happening. The Larry Sanders Show, Conan, Seinfeld, Bill Hicks, The State, Mr. Show, The Simpsons, and The Onion were right around the corner, but things were looking pretty dismal at the time. Death took John Belushi and Andy Kaufman from us, while ex-SNL’ers like Eddie Murphy, Dan Aykroyd, and Chevy Chase, [...]

What's a worse idea than a new Ghostbusters movie? A new Ghostbusters movie without Bill Murray in it. But that's just what we may be getting, according to Dan Aykroyd: Yes, we will be doing the movie and hopefully with Mr. Murray. That is our hope. We have an excellent script. What we have to remember is that Ghostbusters is bigger than any one component, although Billy was absolutely the lead and contributive to it in a massive way, as was the director and Harold [Ramis], myself and Sigourney [Weaver]. The concept is much larger than any individual role and the promise of Ghostbusters 3 is that we [...]

When it was released in 1984, Ghostbusters quickly captured the public imagination and became the highest grossing comedy of all-time. Although the film was displaced from the top spot by Beverly Hills Cop just a few months later, both of these comedies ended 1984 as the year’s two highest grossing movies. I can’t stress enough how rare that is and what it says about the wide appeal and accessibility of big studio comedies like Ghostbusters and Beverly Hills Cop, and how they became cultural phenomena. It really shows how comedies today tend to cater to a niche audience, rather than attempted to satiate the masses. These days, you’d be [...]