Why does Will Ferrell sing songs in Spanish? Yo no se! Just kidding, I do know, it's to promote his Spanish comedy Casa de Mi Padre. Along with this video comes the full soundtrack list for the movie, which includes tracks entitled Fuzzorama, Chubby Duckling, and Luv Butts, along with more than one songs by a group called Mayan Ghost Choir. There are music-related Academy Awards in this film's future, for sure.
Comedy videos might be considered the scrappy, comes-to-school-with-wet-hair jealous younger bully to music videos' cool older kid. But sometimes a music video earns even comedy's begrudging respect. This one, directed by Tom Scharpling and featuring Chris Gethard, Jake Fogelnest, Gabe Delahaye and Leah Giblin, is pretty funny for a music video. Now give me your lunch money and don't let me catch you trying to sit on the swings at first recess again.
Take a ride down memory lane in Weird Al's brightly-painted, frantically bouncing jalopy. The video for "Polka Face," his latest polka medley of pop hits from the last few years, features robot pole-dancer Britney Spears and Lady Antebellum drowning some bowling alley mice in her tears. So, pretty normal for Weird Al.

Tom Scharpling's latest directorial effort is a music video for The Ettes' "Excuse." The premise: Patton Oswalt is director "Tom Scharpling," who was given a gigantic budget for special effects but managed to blow it all on various devious things. So the whole video is just the green screen footage they shot, with occasional concept art tossed in so you know what you should be imagining. I hear there will be a similar version of Avatar on the upcoming Ultimate Edition Blu-ray, so they're in good company.

There’s a scene in Dave Chappelle’s Block Party where the comedian summarizes comedy and music’s long-standing marriage by positing, “Every comic wants to be a musician. Every musician thinks they're funny. It's a very strange relationship that we have.” It’s a fitting appraisal, especially when considering the source, whose intertwining of the two is unrivaled by his contemporaries.
The following list, which features genres ranging from indie rock to commercial hip hop to dancehall, supports Chappelle’s theorem that musicians think they’re funny, and, in the process, seek to prove that occasionally they are.