"There had been talk about a Stefon movie. It was a very cordial thing of Lorne Michaels coming to me and [then-SNL writer] John Mulaney and saying 'Paramount is asking about this. What do you guys think?' He pretty much just left it up to us. 'You are the guys who are gonna have to write it, so you decide.' John and I pretty quickly said no. Because in our mind, it never worked as a sketch. It was a nice thing that lived on Weekend Update, and it should probably only live on SNL and that's that."
– Bill Hader explains why he and John Mulaney turned down a [...]
"Well, he's got that Southern charm. He's genuinely interested. He's engaging. He's a very positive person. He can see the good in everything. I think he'll go to that other character that he plays on that show because that's part of him, too. He'll mix it. But once you're out there and there's a live audience, everyone's playing a different version of themselves. You know? There's a camera in front of you. There's an audience. You automatically are different. I just think people will see this other side to him, because he has this whole bag of tricks people haven't even seen yet."
– Amy Sedaris — current star of [...]
"I feel like a lot of people are afraid to take that step, and I was afraid too, but it just came to a point where I realized I have to do this. I can't keep going home with no brain power because I'm dealing with shitty people with broken iPads. You can't let a day job stop you from doing the thing you're most passionate about. For me it was, 'I'm gonna keep doing this podcast, doing standup at night. If I'm tired at work, I'll work fewer hours, but I've got to do this.'"
– Fast Company talks with @midnight writer and Nerdist cohost Matt Mira about [...]
"This is the magic of John Oliver. It's been only 14 episodes so far (the show is slated for 19 this season) but the Last Week Tonight team has found a way to take a seemingly complicated issue, remove the talking points and cultural baggage surrounding it, break it into understandable parts—and then slowly rebuild it. It's an ingenious formula that's making a difference in the real world."
– Last Week Tonight with John Oliver is showered with more well-deserved praise in a new Atlantic piece called "How John Oliver Beats Apathy."
"When something is successful in Britain, we go, 'Okay, let's stop it before we screw it up.' And when something is successful over here, they go, 'Okay, let's keep making this a success until it's not a success.' And I think that it is a kind of very different attitude, but I'm actually really glad for that, because as I said, when the idea of an American version of that program came out, it sounded like sacrilege. And now, frankly, I look at those final episodes and they are so emotionally satisfying and grounded in a way that I don't think the British Office ever got the chance to be." [...]