If you listen closely to the lead track of Andrés du Bouchet’s new album, 20-Sided Guy, you’ll likely pick out my obnoxious cackle. I was lucky enough to be present at the RIOT LA comedy fest this past January where du Bouchet recorded the track “To Victory!” which is a monologue delivered in character as a medieval general and which my friends have nearly gotten sick of hearing me talk about. Du Bouchet recorded all 16 tracks on the new album at different venues, adding yet another layer to the multi-faceted nature of his work, his high-concept, one-man-show-esque character pieces. This approach to comedy has also served du Bouchet [...]
Bill Cosby has been at the center of an increasing number of rape and sexual assault allegations over the past few weeks (you can find detailed timelines here and here), and the story keeps getting uglier. While these claims are far from breaking news — some go back to a 2006 lawsuit involving 14 women (13 anonymously agreed to testify, but the case settled out of court) — more women have come forward since a Hannibal Buress joke calling Cosby a rapist went viral last month and Barbara Bowman, one of the anonymous women from the 2006 case, wrote an article for The Washington Post [...]
"She is a deadpan comedian of the driest vintage, and her face remained stolid. The patches of the audience that were stunned into silence alternated with the patches that were seized by deep, hoarse laughter, resulting in weird patterns of wave interference. Notaro is thin. She stood with her shoulders slightly hunched, her ribs visible, her lack of breasts visible, her surgery scars visible. 'Naked onstage' is a classic premise for an anxiety dream, and the moment felt surreal. So it’s true that she doesn’t wear a bra. Is this being filmed? Is this actually happening?"
- The New Yorker profiles Tig Notaro's standup set last night at The [...]
Aside from being tremendously funny, Kate Berlant has an almost authoritative stage presence and style, one that encourages the audience to “Embrace Terror,” as is emblazoned on the rubber bracelets she sells after her set. It’s not that Berlant seeks to horrify, but her loose style of comedy coupled with her sassy old-showbiz demeanor guides the audience through a roller-coaster set.
I was lucky enough to see her perform recently, on my home turf at The American Comedy Company in San Diego, and not for the first time, I was taken aback by how seamlessly Berlant is able to weave her character into the set and vice versa. The audience [...]