In the war of the low-rated backstage-at-Saturday–Night–Live TV shows, there can be only one. And in 2006’s race to viewership mediocrity, Tina Fey’s 30 Rock, which spoofed her time as SNL’s head writer, was Christopher Lambert. And we’re all better for it.
Well, everyone was better for it, except for this guy: Aaron Sorkin.
I had to. I know that Studio 60 isn't a comedy, it's a drama about a comedy. But this is every reason that basic premise failed. It's an episode about a comedy show putting on a Christmas special that's neither funny nor filled with any sense of genuine holiday spirit.
Plot, Why Not:
The show has never done a Christmas show, and Matt thinks it's time for a change! But the other people don't like Christmas! A CHRISTMAS IN LOS ANGELES? OH, BROTHER!
But, uh-uh, Grinches: Matt is going to cheer them up with some forced smiles and way-too-fast dialogue! Can show business and a time for joy [...]
Last month, NBC picked up 30 Rock for a sixth season, which must be celebrated as a miracle when one considers what Tina Fey’s “comedy show about a comedy show” was up against during its first year.
In 2006, 30 Rock wasn’t the only NBC show focusing on the off-camera lives of the people who run a live sketch comedy show. The bigger, more highly anticipated, and frankly more popular show was Studio 60 on the Sunset Strip, from power-screenwriter Aaron Sorkin (The West Wing creator and since-then writer of The Social Network). Of course, Studio 60 was a drama while 30 Rock a comedy, and NBC [...]