For the past few years it’s been nearly impossible to flip through the channels without stumbling upon a number of the Friends clones that have come and gone. Shows like Perfect Couples, Friends with Benefits, Partners, Friends With Better Lives, Some of My Best Friends, Undateable, and a wealth of other shows with generic titles that have failed to make a name for themselves (as well as other legitimate contenders for the “throne” such as Happy Endings or How I Met Your Mother). Now, with Friends recently added to the Netflix pantheon, and with Lisa Kudrow and Matt LeBlanc being as hot as ever (well maybe that’s not true) with current hit series, The Comeback and Episodes, and Courtney Cox’s Cougar Town ending its run, it seems like now is the best time to analyze the immense problems NBC faced when trying to replace their flagship comedy, and some of the absurd strike-outs they tried to turn into sensations during the transition period.
During the early 2000s, NBC foresaw the end of their comedy cash cow and as Friends began moving into its twilight seasons, the network began planning for the inevitable and developing the next wave of comedies that would hold onto their grip of the market. This effort saw a number of failed sitcoms rise and fall over Friends' final seasons. READ MORE
The production company PFFR, headlined by the infinitely unconventional Vernon Chatman, John Lee, and Alison Levy, have produced some of the most unique, challenging, (and naturally) hated programs to have graced Adult Swim, a channel already known for different, more absurd programming. In the past, PFFR created such brilliant experiments in television like MTV2’s Sesame Street-skewing, public-enraging Wonder Showzen, the CGI New Age-spouting, low-rated Xavier: Renegade Angel, or the most “mainstream” of their programs, Delocated, a series whose star is wearing a ski mask and has his voice modulated for its entirety.
But their latest entry, the Southern gothic, soap opera-aping, The Heart, She Holler, almost immediately proved that it was going to be PFFR’s weirdest entry yet, what with the David Lynch infused universe it takes place in, where a deceased magnate talking to his kin through an endless supply of VHS tapes is the most grounded aspect of the show. But when it began (or endginned, your call) in 2011, it was far from clear that it would be the final piece of a trilogy that PFFR has been telling nearly since they began. A trilogy of ignorance, racism, and destruction that started with Wonder Showzen, developed through Xavier: Renegade Angel, and is now finally coming into focus and concluded with what the third season of The Heart, She Holler has had to say. READ MORE
South Park has made a name for itself by breaking boundaries and pushing the envelope, with their incredibly streamlined production schedule allowing them near-unrivaled power on commenting on breaking and current events. So it’s a little surprising that the most unpredictable and ambitious thing South Park did this season was experiment with serialized, continuity-heavy storytelling. This season embraced the approach more than ever before, almost distilling the year into a singular storyline that they kept returning to.
While its prevalence has fluctuated throughout the season (some episodes have functioned entirely as standalone entities), it’s worth assessing why South Park has decided to make this shift this late in the game, and if it’s paid off and is something they’ll continue to do. READ MORE
The inaugural season of Dan Harmon and Justin Roiland’s runaway Cronenbergian monster of a hit, Rick and Morty, wrapped last night, ending a nearly flawless season of ambitious animated television. The scope and complexity of Rick and Morty should be no surprise considering that Harmon is no stranger to ambitious, meticulously-constructed television on his other series, Community. What’s especially worth noting in Harmon and Roiland's collaboration this time around is that Rick and Morty is essentially your only hope to standing up against the unforgiving universe(s) and all of its bleakness.
It’s also a very, very funny show. READ MORE