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SEASON IN REVIEW
13

Breaking Down Each Cast Member's Contribution to 'SNL' Season 38

by @ 12:00 pm

As mentioned in yesterday's post listing our favorite moments from this season of SNL, Season 38 has been dubbed a "transitional year" by many followers of the show. After a few years of relative stability among the core cast members, stars Kristen Wiig and Andy Samberg left a year ago, followed by Abby Elliott later in the summer. With the start of the new season, three performers from Chicago's improv and sketch community joined the cast: Aidy Bryant, Tim Robinson, and Cecily Strong. In the wake of Wiig's dominating presence on the show, two freshman females in particular have emerged as go-to's: Kate McKinnon, who joined the cast late in Season 37, and Cecily Strong, who has had one of the strongest starts of any SNL cast member in recent memory. Meanwhile, two male up-and-comers, Bobby Moynihan and Taran Killam, saw a huge increase in airtime with some of the older male cast members preparing for their exits.

And the transition is clearly still under way. The past few weeks have dealt SNL what will likely be its most dramatic shifts: the departures of cast members Bill Hader, Fred Armisen, and (possibly) Jason Sudeikis, as well as this December's departure of head writer Seth Meyers. With Meyers setting the tone in the writers room and Hader, Armisen and Sudeikis carrying the burden of the sketch roles in the cast, their combined absence will undoubtedly have a massive impact on the show's future seasons.

But in the midst of all the cast shakeups, let's take a look at the cast from this past season. Who appeared the most in sketches? What kinds of roles did each cast member fall into? Who filled the voids left by Wiig and Samberg? What were some of the more memorable characters and impressions each cast member played? And who are we betting will rejoin the cast in Season 39?

As I did for Season 36 in 2011 and Season 37 in 2012, I have been keeping a running tally of how often each cast member has appeared in sketches, weighing starring roles and Update desk characters greater than one-liners and walk-ons. I displayed it all in this nifty pie chart to give us a sense of each cast member's total "share" of screen time this season: READ MORE

SEASON IN REVIEW
8

The Best of 'SNL' Season 38

by | May 21st, 2013

It snuck up on us, didn't it? The end of SNL Season 38 brought along with it key staff changes, among them the upcoming departure of head writer Seth Meyers and the immediate departures of cast members Bill Hader, Fred Armisen, and (unofficially) Jason Sudeikis. Few people have shaped SNL over the past 8 years more than these men — Meyers with his leadership in the writers room and charm as Weekend Update host, and Hader, Armisen and Sudeikis as the cast's workhorses and loadbearing performers. Indeed, many pegged Season 38 as a "transitional year" in the wake of Kristen Wiig and Andy Samberg leaving the show a year ago, and one of the most fascinating things to watch this season has been SNL's attempt to reconfigure itself during this phase: new cast members to nurture into reliable regulars, new types of video sketches to fill the "digital short" void, and a redistribution of roles as supporting cast members step out from the fringe and into the limelight.

We'll look more at each cast member and his or her contributions in greater detail in tomorrow's piece, but for right now let's reflect upon some of our favorite moments from this past season, including our top political sketches (a limited selection for an election year) and top hosts (also a limited selection for a year full of A-listers, Oscar nominees and SNL regulars), as well as a few random categories like end-of-night sketches and sketches cut after dress rehearsal. We even threw our favorite musical guest in there, just to prove we comedy nerds didn't fast forward through every musical act… just most of them. READ MORE

Reviews
11

'SNL' Review: Ben Affleck and the End of an Era

by | May 20th, 2013

What a weepy week it was for comedy nerds. NBC packed a double-whammy of goodbyes, with The Office's poignant series finale last Thursday, followed by Saturday's season finale of Saturday Night Live and final episode to feature Bill Hader, Fred Armisen, and (perhaps) Jason Sudeikis as regular cast members, which was announced only days before. It is indeed the end of an era, not just for the network, but for TV comedy as a whole, and we will talk plenty more about this changing landscape over the coming days, weeks, and months.

Unlike last year's farewell to Kristen Wiig, which had a best-of-Wiig vibe that unfortunately repeated itself a week ago, this episode felt more like a cathartic reunion for the whole cast. Hader and Armisen reprised a few of their more memorable roles, closing the book on them with conclusions that were equally epic and understated. Meanwhile, the writers thankfully still produced a solid, standalone episode, dishing out fresh material that included a balance of news events, social issues, and jabs at host Ben Affleck — who, it must be said, came across as an affable team player. Affleck seemed more than happy to put aside his pride (even on his supposed induction to the Five Timers Club) and let the spotlight drift to the departing cast members, celebrity cameos, and musical guest Kanye West, who unfortunately-for-us got through his sets without incident. However, in the moments Affleck did have the ball, he took care of business, pulling off relatively difficult, layered performances and breaking only occasionally and at times in which he earned it. Like similarly stellar hosts from this season like Melissa McCarthy, Martin Short, Seth MacFarlane, and Zach Galifianakis, Affleck avoided routine, spoon-fed roles and took a riskier route with original concepts, and it paid off.

SNL season finales are almost always episodes for the books, with the writers and actors hoping to end the season on a strong note to keep viewers humming throughout the summer. But this finale tops the ones in recent memory, not simply for providing a fitting farewell to its beloved cast members, but for doing so with such a funny and satisfying episode. READ MORE

Reviews
26

'SNL' Review: Kristen Wiig Disappoints with More of the Same

by | May 13th, 2013

An episode of SNL feels most satisfying when the sketches come from a place of inspiration, as opposed to obligation. For example, when Justin Timberlake hosts the show, I don't need to see the "Dick in a Box" characters, but I would like to see them if the writers come up with a fresh and exciting way to bring them back. Whether or not a sketch addresses a recent news event or upcoming holiday is secondary to whether or not the sketch is funny. I'm sure the SNL staff shares this mindset — they really are just trying to produce the funniest show possible. But occasionally, in pursuit of that goal, SNL prioritizes expectation over its most critical obligation: comedy.

Such was the case last weekend, when Kristen Wiig returned to host the show after departing a year ago to focus on her film career. I normally am a huge fan of whenever a former cast member hosts, because his or her familiarity with the show and multiple talents usually results in a perfect storm of sketch comedy greatness. However, rather than deploy one of the show's most gifted alumni in some more complex pieces or layered characters, SNL took the lazy route, rolling out some of Wiig's most worn bits: Lawrence Welk, The Californians, Garth & Kat, Target Lady… even a Gilly cameo. Wiig's relatively recent departure hasn't given viewers enough time to properly move on from those sketches (especially The Californians, which the show had done three times since Wiig left). SNL aimed for the giddy nostalgia we feel when we see Tina Fey impersonate Sarah Palin or Justin Timberlake dance around in a big foam costume. Instead, our reaction was, "Really? This again?"

While the recurring characters dominated the lineup, a few fresh ideas did thankfully manage to squeeze in. And while Kristen Wiig goofed around with long-time SNL stalwarts Fred Armisen, Bill Hader, and Jason Sudeikis in the old material, it was fun to see her share the stage in the new material with freshmen Aidy Bryant, Kate McKinnon, Cecily Strong, and Tim Robinson, all of whom had some of their biggest nights of the season. So while it was a disappointing episode overall, there are certainly a few reasons to celebrate. READ MORE

Reviews
14

'SNL' Review: Risk Pays Off for Zach Galifianakis

by | May 6th, 2013

SNL works best when it hits a balance between structure and chaos. As a show that's broadcasted live after only a week of production time, chaos is pre-installed into the system. The show attempts to offset that chaos with as many safety nets as possible: a cast of multitalented actors, a writing staff that can turn out an abundance of material in a pressure-cooker environment, and one of the best crews in television. Over time, some of those safety nets turn into crutches that annoy the hard-core fans: recurring characters, sketches that rely too heavily on celebrity impersonation, talk show formats, etc. So periodically, the show will reintroduce a bit of chaos into the mix to keep things fresh.

In the past, Zach Galifianakis was praised for the dangerous energy he brought to the show. He possesses a restlessness similar to that of Melissa McCarthy in that, at any moment, he might do something unexpected. Sure enough, in his previous two times hosting, Galifianakis shaved off parts of his hair and beard throughout the live broadcast.

Now in his third stint, Galifianakis stepped up his game with some riskier choices, both in terms of targeted jokes (the deaf and blind got it particularly rough this episode) and in tense, punchline-less moments that reflect his stand-up and his "Between Two Ferns" webseries. "I have only setups, no punchlines," he joked during his monologue. But by the end of the episode, the risk paid off as Galifianakis delivered the most spectacular punchline we've seen on SNL in years. READ MORE

Interviews
1

Talking with Al Madrigal about 'The Daily Show' and His New Standup Special

by | April 23rd, 2013

Al Madrigal is a correspondent on The Daily Show, a longtime stand-up comedian, and the co-creator of the comedy podcast network All Things Comedy with Bill Burr. As the Daily Show’s “Latino correspondent,” Madrigal has covered issues like Arizona’s anti-immigrant legislation and Puerto Rican statehood, and he explores the subject matter of raising a family in a Mexican neighborhood in his new stand-up special Why Is The Rabbit Crying? – which will air this Friday on Comedy Central. We had a chance to catch up with Madrigal about his special, as well as what it’s like to work on The Daily Show during a time of such sobering headlines.

Recently, Jon Stewart was praised for his remarks on the bombings in Boston. Jon’s always the first one to remind people that TDS is a comedy show first and foremost. And you’re obviously a comedian first and foremost. But with so many people turning to The Daily Show for actual relief and information, have you ever felt so outraged by a topic that overwhelmed you as a comedian and made you feel a sense of duty to expose it?

As the Latino correspondent there’s been a couple of stuff I’ve been able to get in that I’ve found pretty outrageous. There was a Mexican-American studies ban in Arizona — that actually recently went in front of a higher court and did not get overturned, so it’s still in effect — which I feel is crazy. A bunch of Tea Party guys found that that would be a good Tea Party MO to infiltrate low-level politics, so they took over a school board and were instrumental in banning Mexican-American studies. I found that to be one of the most offensive things I’ve ever come across. And being able to have access to this forum, I’ve been aggressively pushing as many Latino DREAM-er stories as I possibly can.

I think people at this point are tuning in for Jon’s perspective on a lot of that stuff, even though a lot of the material we cover is not laughable. It’s pretty upsetting. It’s hard to hear day-in, day-out, and not get too discouraged. You know we comb the Internet for articles, and I was reading this scroll of articles, where it was “five dead,” or “ten dead” — every single article was people being shot and killed and dying and mayhem. READ MORE

Reviews
17

'SNL' Review: Vince Vaughn's Forgettable Night

by | April 15th, 2013

It seems a little unfair how unexcited viewers were headed into last weekend's episode of Saturday Night Live, hosted by Vince Vaughn. The Swingers and Wedding Crashers star is a reliably funny guy, and his fast-talking wiseass personality really should have been enough to build a strong episode around. Sure, Vaughn doesn't have a movie coming out until the summer, but the cross-promotional component to SNL has never seemed important to us before.

Yet the night had the energy of the ninth hour of a telethon. Even Vaughn seemed to sense it based on the way he worked the room during the monologue, dishing out hack crowd-work schtick and holding one man's phone hostage on the condition of his enthusiasm. Vaughn's attempt to play warm-up guy failed: even during inspired sketches, the studio audience remained relatively stonefaced with its response.

There's really no one to blame in this situation. The sketches, for the most part, featured some playful concepts. The cast stepped up and delivered. Vaughn, while failing to play any memorable roles, still hit his mark. It just goes to show you that SNL isn't as much the predictable formula that we make it out to be. Sometimes, they can have all the right ingredients, but the lightning still misses the bottle. READ MORE

Reviews
22

‘SNL’ Review: Melissa McCarthy Breaks the Rules

by | April 8th, 2013

"Ginger Rogers did everything Fred Astaire did. She just did it backwards and in high heels." – Former Texas Gov. Ann Richards at the 1988 Democratic Convention.

When it comes to SNL, we rarely delve too deeply into a host's delivery. There are so many moving parts to the production of an SNL episode — last-minute rewrites and prop construction and wardrobe quick changes — that a host has but a narrow range within which to succeed or fail. They either fit nicely into the machine, like Alec Baldwin or Justin Timberlake, or, like Justin Bieber or Jennifer Lawrence, they clatter around within it like a forgotten wrench under the hood.

Then someone like Melissa McCarthy comes along. At first it's a mystery why the Groundling never worked on the show as a regular cast member, but upon second thought it becomes clear. She breaks the rules. Whenever McCarthy enters a scene, whatever governing premise from the moment before is now forced to merge with the catastrophically insecure human being who is making a mess all over the room. (I say human being, because to describe McCarthy's fully realized and nuanced work as a character seems like an understatement.) Melissa McCarthy is the scene. Her sketches have structure, patterns, and jokes, but they are all rooted in the psyche of Sheila Kelly, Casey Battersix, Jean Corerra, Barb Kelner, Veronica Shanks, or Nanelle. Hell, McCarthy even subverted the monologue — usually the most composed segment of the night — milking it near the band for several minutes before eventually hitting her mark (somewhat wobbly) downstage.

A Melissa McCarthy episode doesn't feel like SNL, which is why I love her so much as a host, if not a cast member. She's a tornado. Fellow Groundling Kristen Wiig was occasionally (unfairly) accused of hijacking the show with her characters, and viewers even tired of Chris Farley's overwhelming energy. The show needs a little danger every now and then, and that's what McCarthy does best.

Even in high heels. READ MORE

Interviews
1

Talking With 'SNL' Writer and '7 Minutes in Heaven' Host Michael Patrick O'Brien

by | April 2nd, 2013

Michael Patrick O'Brien is well into his fourth season as a writer for Saturday Night Live, a job he landed after spending years honing his comedy skills at Chicago's iO and Second City theaters. In addition to SNL and working on an upcoming sketch comedy album, O'Brien also hosts the popular web series "7 Minutes in Heaven," where he does bits and locks lips (or awkwardly tries to, at least) with stars such as Ellen Degeneres, Tina Fey, and the Insane Clown Posse. We had a chance to catch up with him about this season of SNL, specifically his appearance in the recent "Five Timers Club" sketch and his penning of some of this season's most memorable sketches, as well as his "7 Minutes" series and his future in late night.

You were recently in the "Five Timers Club" sketch with Justin Timberlake. You played the doorman role that Conan O’Brien played with Tom Hanks in 1990. How did you come about playing that part?

Seth Meyers wrote that sketch, and I’m sure in his writing process he rewatched the 1990 version with Conan. So he came up to me on the day of the table read and said, “Hey, I have you in this part.” And he mentioned it at the time too – he said that Conan did it last time. And I was like, “Oh, that’s cool.” And I know things change between Wednesday and Saturday, so I was glad that thing didn’t change, and that I ended up getting to do it. READ MORE

Interviews
0

Talking to Ilana Glazer and Abbi Jacobson of 'Broad City' About Their Upcoming Comedy Central Show

by | March 20th, 2013

Ilana Glazer and Abbi Jacobson are the creators and stars of Broad City — a web series Splitsider has been following since our site began and one that was recently ordered to series by Comedy Central, thanks largely to Amy Poehler's influence. A 10-episode first season is expected to debut sometime in 2014. I spoke with the duo about translating 4-minute webisodes into half-hour scripts, concerns over facing the same feminist comedy expectations Girls encountered, and why you don't need to get on a UCB Harold team to get a Comedy Central deal.

How did you two meet and come to start making videos together?

Ilana Glazer: Abbi and I were taking classes at the Upright Citizens Brigade comedy school in 2007. We didn't have any classes together, but we were fortunately asked to be on the same practice improv team. We auditioned for the house improv and sketch teams and were not getting on them. But you know, if you want to get better, you need to get yourself in a group and practice frequently and do shows as often as you can, and we weren't doing that in classes. So we joined this team, and it was called Secret Promise Circle. And we were so grateful for that, this time that we got to play, without thinking, oh, let's monetize. But then at a certain point, we both wanted to make something that would last, that we could send a link to our parents and be like, "Hey, we're doing something," rather than like, "This improv show I did was great!" And then it came to a certain point where we thought, 'Hey, we could do it about us.' READ MORE

Interviews
0

Talking With DC Pierson About His New Book, 'Crap Kingdom'

by | March 15th, 2013

DC Pierson is a comedian, actor, member of the popular sketch group DERRICK, and well regarded UCB performer. In 2010, he added "novelist" to that resume with the release of his first book The Boy Who Couldn't Sleep and Never Had To. Last week, he released his second novel, Crap Kingdom. I had a chance to sit down with Pierson and chat about the book — which I can honestly say is definitely worth reading (or better yet, owning) — as well as working in the young adult genre, making rap videos to get on the New York Times bestseller list, why DERRICK's success may have been more timing than technological wizardry, Splitsider's emotionally insecure readership, and why it's cool if high school students try to cheat out of reading your book… so long as you still get paid. READ MORE

Reviews
37

'SNL' Review: Justin Timberlake Runs a Victory Lap

by | March 11th, 2013

I don't think anyone is as big a fan of SNL as SNL itself. At every opportunity, Lorne Michaels reminds us of his show's elite status and cultural impact, whether in a tongue-in-cheek backstage bit with Paul Simon and a scotch, or in a more sincere soundbite from one of those now-dime-a-dozen behind-the-scenes specials NBC rolls out on Sunday nights. I can't really blame Lorne for perpetuating this "SNL dynasty" mystique; admittedly I find the show's history fascinating, and I believe the man has earned enough ego to occasionally place his show on a pedestal, especially by coyly likening it to a vain gentleman's club. SNL can get away with its only-somewhat-in-jest swagger because it usually follows it up with genuinely impressive comedy: clever jokes, original concepts, strong performances from its actors. For a majority of any given episode's runtime, SNL walks the walk.

Last weekend's episode was bigger than five-time-host Justin Timberlake. It was a celebration of the entire SNL legacy. There was a sense of homecoming pride in the air, similar to the feel of a beloved former castmember returning to host and the whole gang coming back to play. And while I enjoyed seeing Timberlake and the boys run victory laps, if you look at the scoreboard, you'll notice the home team's win wasn't a decisive one. Unlike during the star host's previous appearances — which are all episodes for the books, with Timberlake's perfect assimilation into the cast — this time, frequently his performance magic either wore off prematurely or was dispelled by SNL's incessant need to jerk itself off.

Perhaps I'm just being a Debbie Downer who remembers all-too-fondly Timberlake's past work on the show, or I'm a victim to the "overly high expectations" he noted in his opening remarks. I will say Justin Timberlake remains one of the best hosts SNL has ever seen and easily topped most of the other hosts from this season with a nearly flawless performance… even if the episode itself wasn't. READ MORE

Reviews
31

'SNL' Review: Kevin Hart Gets an 'A' for Effort

by | March 4th, 2013

When it was announced two weeks ago that comedian Kevin Hart would host SNL, an odd debate sprung up online over whether Hart was "qualified"  (i.e., "famous enough") for the gig. Hart has certainly had a huge year, with his film Think Like A Man and comedy album Laugh At My Pain both raking in millions, and his SNL episode received higher ratings than Oscar-winner Christoph Waltz's two weeks ago. Regardless, it's not for us to decide whether or not someone is famous enough to host — only whether or not his talents make him a good fit for the show.

Yes, Hart did occasionally stumble over lines and plow through most sketches with a high-octane, mile-a-minute delivery. But considering he never lost his cool (even during some flatlining bits) and gave every sketch his all, he still came across as a likable, gracious, and often funny host. Hart gave the performance of a comedian who knew he had a lot to prove, and, for better or worse, he left it all out on stage. Of course, he couldn't save a hit-or-miss lineup of promising yet unsatisfying sketches, and the obligatory-black-host racial humor bugged me a little, but there was enough to like in this episode to give Kevin Hart the credit he deserves. READ MORE

SPONSORED POST
3

Talking With 'Out There' Creator Ryan Quincy

by | February 22nd, 2013

This post is brought to you by Out There, premiering tonight at 10:30/9:30c on IFC.

Ryan Quincy has been working in animation for well over a decade. He spent 12 years on South Park (he's featured in the behind-the-scenes documentary 6 Days to Air) and now he's taking his original characters to IFC in his new animated series Out There (which premieres tonight at 10:30/9:30c on IFC). I had a chance to chat with Quincy about the show, his "out there" character designs, and fainting in sex ed class.

Tell us what Out There is all about, and how it came to IFC.

Out There is about two best friends, Chad and Chris – 15-year-old boys, virgins for years to come. They live in this small town in the middle of nowhere. Chad is an introverted, sensitive wallflower, and Chris is an anarchist cheerleader, devil-may-care type kid. The show centers around these two kids and their whole experience navigating through adolescence and this very strange town that they live in.

This idea is based a lot on myself growing up in Nebraska during my adolescence. I mine a lot of stories from all that stuff so in the episodes that we’ve done, there’s a lot of that coursing through its veins. READ MORE

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