Alex Edelman has had an excellent August. The American comic headed to the Edinburgh Fringe with his debut show, Millennial, and on Saturday, he walked away with the coveted Best Newcomer Award at the Foster's Edinburgh Comedy Awards. Past winners include stars like The Mighty Boosh, Tim Minchin, and Sarah Millican, and it means the eye of the British comedy industry has turned to the 25-year-old New Yorker. I caught up with him after his win in Edinburgh to talk about previewing his show in London, his American style, and being transatlantic.
So why did you decide to come to Edinburgh this year?
I had sort of been invited by accident in 2012. I got cast in a play here, and so I was sort of revealed to this world of thousands of comedy shows. In New York, there's lot of stage time but it's hard to get on, and here, I was getting on seven or eight times a day for 15 minutes and making some money from it, and so why wouldn't you come to this thing? And so I came back last year and ran one of those shows, where you can get 15 minutes, and I did 25 minutes at the end of it, and around the end of the run, I started to realize that I had the makings of a show. And this producer for the BBC spotted me last year, and they put me on one of their showcases, and after that I had a bunch of offers for management, and so I signed with someone who I really liked and who was gonna bring me back the next year, and pay for the run, because the run can be quite expensive. They were tremendous producers, and the show was in good shape, and so the Pleasance was on board, and I guess everyone sort of lined up — venue, PR, producer, performer — and so it seemed sort of like the perfect storm of being able to do an hour of standup every day.
And I ran that compilation show again, and so I've been able to do a couple of shows a day at least. I haven't had a single day where I've done less than five shows, and they're different kinds of comedic muscles that you can't really flex at home. Like, there's “Set List”, which is something that I love doing here, and there's different kinds of improv games than you'd find at even the most wild of indie improv nights, like there's a show called “Voices in Your Head”, where someone directs your improv from the back. All these different octaves of the comedy piano seem like irresistible to me, and so I really wanted to come back. And also, there are a lot of comedians here, and it's sort of a chance to test your mettle. So that's why. READ MORE