The recent launch of The X-Files Files, Silicon Valley star Kumail Nanjiani's second comedy podcast, was both unsurprising and surprising. Fans of Nanjiani's standup act who follow his Twitter feed – one of the most consistently funny feeds written by a standup – have known of Nanjiani's genuine love for The X-Files because of his tweets about the 1993-2002 sci-fi classic ("The single greatest television show ever made. For the first 6 seasons."), so that's not the surprising part.
The surprising part is the shape that his X-Files fandom has taken, as if it's super-stretchy, shape-shifting X-Files serial killer Eugene Tooms. After Nanjiani tweeted that he was "starting a campaign to make The X-Files cool again," I assumed he was going to write a think piece for the A.V. Club or Vulture about the 20th anniversary of the hit show's first season. But instead, he's decided to undertake an even more impressive project (and it's all the more impressive because of what I assume is a busy schedule): a Feral Audio podcast in which he and a guest discuss at length the merits and flaws of a different X-Files episode each week. After only two installments, The X-Files Files is already one of the most satisfying comedy podcasts around. Nanjiani's intelligent and vibrant conversations (with film critic Devin Faraci in the first week, comedian DC Pierson in the second, and Dan Harmon this week) have made me, a fan of many of The X-Files' monster/disease-of-the-week episodes and a hater of the mythology episodes (they amounted to very little payoff), want to rewatch on Netflix some of my favorite X-Files episodes (whattup, "Jose Chung's 'From Outer Space'").
Nanjiani's new podcast is currently one of three standout podcasts in which a comedian (or a pair of veteran podcasters who are neither professional comedians nor all that terrible at humor) critiques a different episode of the same older TV show each week. The other two are Roddenberry Entertainment's Mission Log podcast about Star Trek (which I'm actually a bigger fan of than The X-Files) and its 5,033 TV and movie spinoffs, and comedian April Richardson's Go Bayside!, in which Saved by the Bell gets ripped apart like a pair of acid-washed Z. Cavaricci pants split open by A.C. Slater while dancing the Roger Rabbit. READ MORE
For its first three seasons, The Boondocks, which followed inner-city siblings Huey and Riley Freeman's adjustment to life in the predominantly white Illinois suburb of Woodcrest, was a genuinely funny and remarkable achievement on TV. It was the first successful TV-MA-rated animated sitcom spearheaded by an African-American comedic mind, as well as the first animated show that the hip-hop generation can be proud to call its own.
Cartoonist Aaron McGruder's adaptation of his own popular 1996-2006 comic strip took no prisoners in its satirical potshots at the likes of gangsta rappers, the Republican Party, Tyler Perry, and the network execs behind BET's lowest-common-denominator programming. The original strip took no prisoners as well, back when it entertainingly shook up the newspaper comics section – the domain of "70-year-old white men," as McGruder dismissively said in a 2004 New Yorker profile – and outraged two of its later TV incarnation's aforementioned targets (Republicans and BET).
I'm speaking of The Boondocks in the past tense, as if it's dead, even though it's currently in the middle of its long-delayed fourth (and final) season on Adult Swim. That's because ever since McGruder exited The Boondocks and took his name off the show, reportedly due to disagreements with Sony Pictures Television over production deadlines (the same problem that McGruder cited as his greatest weakness as a cartoonist, without, amazingly, cracking a single Colored People's Time joke during the New Yorker interview), it hasn't been the same sharply written show it used to be.
Sure, nearly all the show's terrific voice actors –- Regina King (who does double duty as Huey and Riley), John Witherspoon as Robert "Granddad" Freeman, Gary Anthony Williams as Uncle Ruckus, Cedric Yarbrough, and Mr. Show's Jill Talley –- are still around and are still being directed to give their all by Andrea Romano, the same voice director who made the voice work on Batman: The Animated Series such a highlight of that show. But The Boondocks has become yet another animated show that's faltered without the strong creative voice of its former showrunner. Its fourth-season decline brings back memories of when creator John Kricfalusi's departure from The Ren & Stimpy Show (due to a feud with Nickelodeon network execs) sank that show, or when writer and story editor J. Michael Straczynski's exit from The Real Ghostbusters resulted in much of the smartness of that show's writing escaping with him like the ghosts that were freed after Walter Peck shut down the ghost containment unit. READ MORE